Executive Committee
Nicholas Penny, President
Lydia Melamed Johnson, Treasurer
Adam Harris Levine Levine, Chief Operating Officer
Jon Landau
Fabrizio Moretti
Board of Directors
Hester Diamond
Andrew Butterfield
Thomas Leysen
Tamara Sanchez Van Dyck
Advisors
Cristina Acidini, Independent Scholar; Maryan W. Ainsworth, Curator, European Paintings, The Metropolitan Museum of Art; Denise Allen Curator, European Sculpture and Decorative Arts, The Metropolitan Museum of Art; Victoria Avery, Keeper, Applied Arts, The Fitzwilliam Museum; Malcolm C. Baker, Distinguished Professor, University of California, Riverside; Peter Barnet, Senior Curator, Medieval Art and The Cloisters, The Metropolitan Museum of Art; Andrea Bayer Curator, European Paintings, The Metropolitan Museum of Art; Peter Bell, Assistant Curator, European Sculpture and Decorative Arts, The Metropolitan Museum of Art; Francesca G. Bewer, Research Curator, Harvard Art Museums; Antonia Boström, Keeper of European Sculpture, Metalwork, Ceramics, and Glass, Victoria and Albert Museum; Bruce Boucher, Director, The Fralin Museum of Art; Kathleen Weil-Garris Brandt, Professor of Fine Arts, New York University; Geneviéve Bresc-Bautier, Curator, Department of Sculptures, Musée du Louvre; Lorenzo Buonanno, Assistant Professor of Art, University of Massachusetts Boston; Jens Burk, Curator, Sculpture and Painting 1550-1800, Bayerisches Nationalmuseum; Andrew Butterfield, Dealer and Art Historian, Andrew Butterfield Fine Arts, LLC; Francesco Caglioti, Professor of Art History, University of Naples Federico II; Marietta Cambareri Assistant Curator of Decorative Arts and Sculpture Museum of Fine Arts, Boston; Matteo Ceriana, Director, Gallerie dell’Accademia, Polo Museale Veneziano; Keith Christiansen John Pope-Hennessy Chairman of European Painting The Metropolitan Museum of Art; Michael Cole, Professor, Italian Renaissance and Baroque Art, Columbia University; Paola D’Agostino, Director, Museo Nazionale del Bargello; Alan Phipps Darr, Senior Curator of the European Art Department and Walter B. Ford II Family Curator of European Sculpture and Decorative Arts, Detroit Institute of Art; Laure de Margerie, Director of French Sculpture Census, University of Texas at Dallas; C.D. Dickerson III, Curator and Head of Sculpture Department, National Gallery of Art; James David Draper, Curator, European Sculpture and Decorative Arts Department, The Metropolitan Museum of Art; Renate Eikelmann, Director, Bayerisches Nationalmuseum, Munich; Colin Eisler, Robert Lehman Professor of Fine Arts, Institute of Fine Arts, New York University; David Ekserdijian, Department of History of Art and Film, University of Leicester; Caroline Elam, Senior Research Fellow, The Warburg Institute, University of London; Sam Fogg, Dealer in sculpture and manuscripts, Renaissance and Medieval, Sam Fogg, Ltd., London; David Freedberg, Director, Italian Academy for Advanced Study; Leslie Gat, Principle Objects Conservator, Art Conservation Group; Frederick Ilchman, Mrs. Russell W. Baker Curator of Paintings, Art of Europe, Museum of Fine Arts, Boston; Mark Jones, Master of St. Cross College, University of Oxford; Alexander Kader, Head of Department, Europe; European Sculpture & Works of Art, Sotheby’s; Daniel Katz, Dealer in Old Master sculpture, Daniel Katz Ltd, London; Ethan Matt Kavaler, Director, Centre for Reformation and Renaissance Studies, University of Toronto; Wolfram Koeppe, Marina Kellen French Curator, Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art; Volker Krahn, Senior Curator, Skulpturensammlung und Museum für Byzantinische Kunst; Claudia Kryza-Gersch, Curator of Renaissance and Baroque Sculpture, Staatliche Kunstsammlungen Dresden; Manfred Leithe-Jasper, Doktor Hofrat, Palais Liechtenstein, Vienna; Mary L. Levkoff, Director, Hearst Castle Museum; Charles T. Little, Curator of Medieval Art, The Cloisters, The Metropolitan Museum of Art; Alison Luchs, Curator of Early European Sculpture, National Gallery of Art; Philippe Malgouyres, Department of Objects of Art, Musée du Louvre; Jonathan Marsden, Director, The Royal Collection, London; Patrick McGrady, Charles V. Hallman Curator, Palmer Museum of Art, The Pennsylvania State University; Sarah McPhee, Professor of Art History, Emory University; Sascha Mehringer, Dealer in sculpture and works of art; Mehringer, Munich; Jennifer Montagu, Honorary Fellow, The Warburg Institute, University of London; Tomaso Montanari, Professor of Art History, University of Naples Federico II; Peta Motture, Senior Curator of Sculpture, Victoria and Albert Museum; Tommaso Mozzati, Research Fellow, Università degli Studi di Perugia; Susie Nash, Professor, The Courtauld Institute of Art; Jonathan K. Nelson, Assistant Director for Academic Program and Publications, Villa I Tatti, The Harvard Center for Italian Renaissance Studies; Victoria Newhouse, Architectural historian; Nicholas Penny, Former Director, 2008-2015 The National Gallery, London; Anne Poulet, Former Director (Emerita) The Frick Collection; Patricia Rubin, Judy and Michael Steinhardt Director, Institute of Fine Arts, New York University; Salvador Salort-Pons, Director, The Detroit Institute of Arts; Guilhem Scherf, Chief Curator, Department of Sculptures, Musée du Louvre; Eike Schmidt, Director, Galleria degli Uffizi; Frits Scholten, Senior Curator of Sculpture, Rijksmuseum; Anne Markham Schulz, Independent scholar; Margaret H. Schwartz, Head of Department, European Works of Art & Sculpture, Sotheby’s; Philippe Sénéchal, Director of studies and research, Institut national d’histoire de l’art; Tony Sigel, Conservator of Objects and Sculpture, Harvard Art Museums; Jeffrey Chipps Smith, Professor, College of Fine Arts, The University of Texas at Austin; Jack Soultanian, Conservator, The Metropolitan Museum of Art; Richard E. Stone, Conservator, The Metropolitan Museum of Art; Deborah Swallow, Director, The Courtauld Institute of Art; Luke Syson, Iris and B. Gerald Cantor Curator in Charge, European Sculpture and Decorative Arts, The Metropolitan Museum of Art; Dino Tomasso Dealer in Antique and Renaissance sculpture, Tomasso Brothers Fine Art, London; Richard Townsend, Independent Scholar; Holly Trusted, Senior Curator of Sculpture, Victoria & Albert Museum; Robert van Langh, Head of Conservation and Restoration, Rijksmuseum; George Wachter, Co-Chairman, Old Master Paintings Worldwide, Sotheby’s; Ian Wardropper, Director, The Frick Collection; Jeremy Warren, Research Fellow, The Wallace Collection; Patricia Wengraf, Dealer in Fine European Sculpture and Works of Art, Patricia Wengraf Ltd, London; Matthias Weniger; Consultant for Sculpture and Paintings Before 1550, Bayerisches Nationalmuseum; Dimitrios Zikos, Independent Scholar, Florence
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